PSP 608 Multi-Delay

the most complete delay plug-in

PSP 608 MD is perhaps the most complete delay plug-in available on the market (VST, AudioUnit, RTAS format and AAX for Mac OS X universal binary format and VST, AAX and RTAS format for Windows). We strive to provide you with a creative tool that is not only functional, but inspiring. Each ring features selectable feedback, stereo image and position, delay time, multimode filter, modulation, drive/tape saturation, and reverb. In addition, feedback and drive can be placed at the beginning or end of the signal chain for even more sound design options! The modulation section consists of an LFO and Envelope follower, and the tape saturation algorithm is taken from our renowned mastering processors. And of course all of this can be done at any bit depth and sample rate up to 24-bit, 192kHz, and fully automated via MIDI and any host sequencer.

So the PSP did it again. They took a basic idea, made it look beautiful, and took it one step further. The 608 is one of the best sounding delays available and no other plug-in looks like a high-powered hardware delay unit.

Computer music 

What I'm looking for in a plug-in is the ability to create musical effects that go beyond the norm, but without getting so complicated that you can't bother using them. The PSP seems to have exceeded these requirements, going beyond the norm than usual, but they still kept the user interface simple and created a large library of presets that show different aspects of the plug-in. Even if you just tweak them instead of starting from scratch, you'll still get a lot of that, and guitarists in particular will find this plug-in very satisfying.

Paul White, Sound in Sound

A multi-tap delay is an important part of every electronic musician's effects palette, and for quality and ease of use, it's hard to think of a better or more choice cheaper than the PSP 608.

Specifications:

Up to 8 seconds delay per channel

Continuous control over delay time in milliseconds and / or chosen quantitative note

Three operating modes: Multiday, where each tap has its own feedback buffer; Multi-Touch, in which the Main Feedback operates in one touch (user selectable); and MultiFB, where it turns off the tap, does not turn off the feedback signal

Each tap included independent adjustments of the following items: gain, width and balance of the stereo field, delay time, filtering, modulation, saturation simulation and reverb

Each faucet can choose from several types of quad biquadratic filters, including: low-pass, band-pass, high-pass, PEAK filter and four shelf filters

A modulation section (LFO and envelope follower) offers adjustable modulation depth of 3 octaves and can be selected for filter cutoff

Ribbon saturation simulation with adjustable gain based on algorithm used in our processors

Feedback filter module includes LP, BP, HP (State Variable Filter or Biquad) filter with adjustable cutoff and resonance

Vintage reverb module for faithful simulation of reverbs spring and plate

Support for sample rates up to 192kHz

Host and MIDI automation of all processing