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T-RACKS CSR ROOM REVERB

T-RACKS CSR ROOM REVERB

CSR Room Reverb Plug-in


Ambient Reverb Processor

The Room CSR reverb is designed to reproduce the type of reverberation generated by medium to small acoustic spaces. It's particularly useful to “dress” a source recorded from dry mics in a natural environment that won't make it look like an artificial reverb, but as it was actually recorded in a real room. This is far from easy, as although reverberation does not have a long decay, the presence and importance of early reflections makes convincing reproduction difficult.


In a In the mixing situation, the CSR room reverb will make the tracks fit better because of the natural “air” that surrounds them or, when it's more rigid, will put them on a different sonic plane, causing them to literally jump out of the mix. .


Adjustable as little as possible, it can be an invaluable tool in a tonal palette for modeling blends that sound 3D, articulate and real, where each track fits into your own place and space.


Try it on a dry guitar and hear how the CSR Room module instantly makes it more real and realistic. Percussion instruments are also a very good candidate for this processor, especially in studio recordings with a very controlled environment that should be "loose" in a mixing context.


Specifications

Works in T-RackS CS Standalone application

High quality oversampling

High precision and high transparency digital processors

Classic vintage devices with accurate modeling

Full latency compensation support

Supports up to 192 kHz sampling rates

DSM ™ proprietary IK technologies and SCC ™ for extremely accurate digital models of analog hardware devices

Native compatibility with 64-bit applications and operating systems

T-RACKS CSR ROOM REVERB
Most licenses are automatically sent after purchase.
CSR Room Reverb Plug-inAmbient Reverb ProcessorThe Room CSR reverb is designed to reproduce the type of reverberation generated by medium to small acoustic spaces. It's particularly useful to “dress” a source recorded from dry mics in a natural environment that won't make it look like an artificial reverb, but as it was actually recorded in a real room. This is far from easy, as although reverberation does not have a long decay, the presence and importance of early reflections makes convincing reproduction difficult.In a In the mixing situation, the CSR room reverb will make the tracks fit better because of the natural “air” that surrounds them or, when it's more rigid, will put them on a different sonic plane, causing them to literally jump out of the mix. .Adjustable as little as possibl..

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